Major Product Releases Approaching

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Filed under Industry News

Toronto: November 18, 2008 … eyeon Software Inc., makers of the award-winning Fusion(r) compositing software, today announced that they have engaged Philpott Communications, based in Richmond Hill, Canada. Philpott Communications will provide PR and media relations services for eyeon, with an initial focus on the upcoming releases of eyeon’s new Generation(r) workflow management software, and Fusion 6 in the new year.

Originally operating as “Communications That Work,” principal Eric Philpott has been involved in PR for the digital film and postproduction industries for the past seven years. “It seems like there has been nothing but change in the VFX landscape and we’ve all seen companies and products come and go in this period,” said Eric Philpott. “Through all that, eyeon has charted their own course, driving the technology forward and honouring the trust of the artist community.”

“With the release of Generation and Fusion 6 fast approaching, we felt that eyeon needed to reach out further to tell our story, both to new customers and to our many friends in the industry,” said Joanne Dicaire, Director of Marketing and Business Development, eyeon Software. “Most importantly, we want people to hear about the remarkable work being done by brilliant artists all around the world with our software.”

eyeon Software makes Fusion, the compositing application which celebrated its 20th anniversary this year; Rotation(r), a rotoscoping system; Vision(r), a suite of tools for broadcast production; and the new Generation software family for visualizing and simplifying VFX and post workflows. For more information, please visit www.eyeonline.com

News Source: Digital Content Producer

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How to Encode Faster in Compressor with Apple Qmaster

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Filed under Tutorials, Video Clips


How to Encode Faster in Compressor with Apple Qmaster from Andy Coon on Vimeo.


HD Video Encoding for Vimeo using Compressor from Ed McNichol on Vimeo.

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The Foundry’s Ocula 3D stereo plug-ins shipping

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Filed under Industry News

(Nov. 4, 2008) - Leading visual effects software developer The Foundry (www.thefoundry.co.uk) is now shipping Ocula – the unique collection of plug-in tools that solve common problems with stereoscopic imagery, boost productivity in post production, and ultimately help to deliver a more rewarding stereoscopic viewing experience.

Ocula plug-ins are designed to automatically replicate key processes on left and right channels and help artists polish and refine stereoscopic material, literally removing headaches from the final viewing experience.

“Since we announced Ocula at NAB 2008 this year, the entire toolset has been through extensive beta-testing and further rounds of development,” said Dr Bill Collis, CEO, The Foundry. “As Ocula plug-ins enable precise, pixel-level manipulation of stereoscopic imagery, they will help artists to refine and finesse stereo footage in a highly productive fashion. Ultimately, Ocula will mean fewer headaches at the cinema.”

Matt Welford, head of compositing at Weta Digital commented, “The team at Weta has worked closely with The Foundry on the development of Ocula. The result is a very useful toolset that solves many problems encountered during post production on stereo footage.”

Ocula’s tool set is based on brand new disparity-mapping algorithms, created by The Foundry’s Academy Award-winning R&D team. Disparity maps track and correlate the differences in positional space and movement between corresponding pixels in the left and right cameras, delivering pixel-level control over images. Knowing where disparities occur, Ocula tools apply corrections by warping, stretching and squeezing only the areas of an image that require treatment. Image manipulation using disparity maps is different to the X, Y or Z-axis shifting of images, where only whole image planes are being shifted.

Ocula plug-ins allow artists to apply a multitude of adjustments to stereo image pairs. All corrections can be made to the left and right eye channels either together or separately, minimising or eliminating discomfort from the stereo viewing experience.

Ocula Plug-ins:

INTEROCULAR SHIFTER allows users to reduce camera interaxial separation in post-production. Using disparity map data, two new ‘virtual’ views are created between the original left and right eye positions, resulting in objects of different fore, mid and background depths being given a more gentle depth effect. This is different to an X-axis shift to adjust convergence, where only the image plane is moved.

VERTICAL ALIGNER automatically attempts to vertically align corresponding image features in each view to minimise or eliminate camera misalignment and ‘key-stoning’. This is not a single Y-shift for the whole image – the correction varies across the entire image.

NEW VIEW – allows the creation of a single view from a stereo pair of images. Users can create this new view at any position between the original views using one or both of the original views. The ‘new view’ then replaces both of the existing views.

CORRELATE dramatically reduces the amount of manual labour required by artists undertaking paint or rotoscoping work. Many position-dependent image manipulations, such as paint/roto, can be automatically propagated from one eye to the other, substantially improving productivity.

COLOURMATCH lets you match the colours of one view with those of another. It has been specifically designed to deal with the subtle colour differences that are sometimes present between stereo views.

Nuke 5.1 is currently the only visual effects compositing system with an embedded 3D stereoscopic workflow where left and right eye channels can be manipulated separately or together. Nuke 5.1 is, therefore, currently the only platform that supports Ocula.

Availability and Pricing
Now shipping, Ocula is priced at $10,000 / £5,000. Also shipping, Nuke 5.1 is priced at $3,500 / £1,750 with render nodes priced at: $250 / £125, with the annual maintenance and support contract prices at $1,000 / £500 per GUI license. Nuke 5.1 is available for existing customers with valid maintenance at no extra cost, customers can download now from The Foundry website www.thefoundry.co.uk.

About The Foundry
The Foundry is a world-leading innovator of visual effects and image processing technologies that boost productivity in motion picture and video post production. On February 10th 2007, the Academy of Motion Picture Arts and Sciences awarded a Sci-Tech Award® to The Foundry’s development team for the Furnace image processing suite. The company now holds a trio of Academy Award® winning products including the high-end compositing system Nuke, and keying application Keylight.

The Foundry’s products support a wide range of host platforms including After Effects, Autodesk® Media and Entertainment Systems, Avid DS, Baselight, Film Master, Fusion, Nuke, Scratch, Shake and Final Cut Pro. The company has also driven OpenFX, an open standard for visual effects plug-ins, now broadly adopted by host and plug-in developers such as Autodesk®, Assimilate, FilmLight, Digital Vision, eyeon Software Inc, Grass Valley, Soluciones Graficas por Ordenador (S.G.O.), Photron and others. Customers include: Digital Domain, The Moving Picture Company, Sony Pictures Imageworks, Warner Bros and Weta Digital Ltd.

The Foundry is headquartered in London, and has offices in Los Angeles. For more information please visit The Foundry’s website at www.thefoundry.co.uk.

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The Foundry’s Ocula 3-D Plug-Ins Win Best Of IBC Award

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Filed under Industry News

Visual effects software developer, The Foundry’s Ocula — its plug-in toolset developed specifically to deal with problems encountered during 3-D stereo post production — was recognized with a “Best of IBC” award in the Post Production category by the editorial teams of The IBC Daily and TVB Europe magazine.

The awards recognize the very best product innovations at IBC, and the judging team hunted for new products that clearly showed the potential for end users to either make or save money.

The Foundry’s Ocula caught the judges eyes, as it offers the potential to greatly reduce the man-hours required on many VFX stereo shots, by providing the technology to automatically transfer changes and adjustments made on one eye channel across to the other.

Ocula’s toolset is based on brand new disparity-mapping algorithms, created by The Foundry’s Academy Award-winning R&D team. Disparity maps track and correlate the differences in positional space and movement between corresponding pixels in the left and right cameras, delivering users with pixel-level control over images.

Knowing where disparities occur, Ocula tools apply corrections by warping, stretching and squeezing only the areas of an image that require treatment. Image manipulation using disparity maps is different to X, Y or Z-axis shifting of images, where only whole image planes are shifted.

Bernat Aragones, film editor at Barcelona post-production company Apuntolapospo, commented, “We think Ocula was one of the most interesting products presented this year at IBC. Compositing tools for stereoscopy are really in their infancy, and there is a growing need from post production houses for 3D tools. The Foundry’s approach using the disparity generator is definitely the way to go. The use of paint and an efficient automated translation of masks from one eye to the other clearly addresses one of the biggest challenges facing stereoscopic compositing.”

Ocula Plug-ins:

Interocular Shifter allows users to reduce camera interaxial separation in post-production. Using disparity map data, two new ‘virtual’ views are created between the original left and right eye positions, resulting in objects of different fore, mid and background depths being given a more gentle depth effect. This is different to an X-axis shift to adjust convergence, where only the image plane is moved.

Vertical Aligner automatically attempts to vertically align corresponding image features in each view to minimize or eliminate camera misalignment and ‘key-stoning’. This is not a single Y-shift for the whole image – the correction varies across the entire image.

New View allows the creation of a single view from a stereo pair of images. Users can create this new view at any position between the original views using one or both of the original views. The “new view” then replaces both of the existing views.

Paint dramatically reduces the amount of manual labor required by artists undertaking paint work. Many position-dependent image manipulations can now be applied to just one eye with paint strokes being automatically generated for the other eye, substantially improving productivity.

Rotoscoping provides and artist with the ability to apply a keyframed roto mask to just one eye. Ocula then automatically generates the mask for the other eye substantially improving productivity.

Colourmatch has been designed to correct the subtle color differences that are typically present between stereo views by attempting to match color distributions between the left and right.

Nuke 5.1 is currently the only visual effects compositing system with an embedded 3-D stereoscopic workflow where left and right eye channels can be manipulated separately or together. Nuke 5.1 is, therefore, currently the only platform that supports Ocula.

Now shipping, Ocula is priced at $10,000/5,000 pounds. Also shipping, Nuke 5.1 is priced at $3,500/1,750 pounds with render nodes priced at: $250/125 pounds, with the annual maintenance and support contract prices at $1,000/500 pounds per GUI license. Nuke 5.1 is available for existing customers with valid maintenance at no extra cost, customers can download now from The Foundry website www.thefoundry.co.uk.

Source: VFXWORLD

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Mocha for AE

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Filed under Industry News

Mocha for After Effects, a standalone motion tracking tool based on Imagineer’s 2.5 D planar tracking system, is included in CS4. Getting things done in Mocha is a bit different than using the tracker in AE. Besides UI and file format support differences, masks themselves are not exported. And data is exported from Mocha — so you have to make sure start frames are aligned and CS4 aspect ratios match.

Read More >>

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Cute Roto Video of Kristen Bell

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Filed under Video Clips

This is another video about the US elections this coming November. When you look at it, the effects are cute and simple however if you try to think about the process that for each frame, Kristen Bell was rotoscoped and chroma keyed

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Compositor’s Tool Kit

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Filed under Industry News

Compositor\'s Kit

The secret to pulling off great effect shots and motion graphics composites is using great tools. Not just software tools but also the visual elements you have to work with.

The more realistic and high quality your elements and footage, the more believable your final composite will be.

With Compositor’s Toolkit, Digital Juice has gone through painstaking lengths to capture the essence that only real live effects can deliver.

Imaginative limits are boundless with this artful collection of high resolution, ultra slow motion effects.

More here at Creative Cow

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Panasonic to Bundle Red Giant Software ToonIt with AG-DVX100B Cameras

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Filed under Industry News, software

San Francisco, CA, October 14, 2008 - Red Giant Software, with popular products Magic Bullet, Knoll Light Factory and Trapcode, today announced that Panasonic expanded its long standing bundle with Red Giant Software to include ToonIt with its powerful AG-DVX100B camcorder purchased in the United States. Customers that purchase the AG-DVX100B camcorder between October 1, 2008 and December 31, 2008 will receive a complimentary copy of the Red Giant Effects Bundle, which includes ToonIt, Magic Bullet Looks, and Magic Bullet Instant HD. Panasonic began bundling Red Giant Software products with the AG-DVX100 line of camcorders in the summer of 2004.

About ToonIt

Red Giant ToonIt uses unique algorithms developed by Toonamation to transform images into beautiful cartoon shading and lines. Users can give video footage that sought-after cartoon look easily and quickly. The four plug-ins free users from time-consuming techniques like rotoscoping and hand painting, and give precise control over styles, shading and outlines. Now it is easy to quickly convert video into a stylized animation with great default settings.

Read the full Press Release Here >>

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Wholesome Pornograhy

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Filed under Video Clips


http://view.break.com/577249 - Watch more free videos

I could just imagine the team of video artists rotoscoping each frame to produce this funny and uber viral video.

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Toon Boom Studio 4.5

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Filed under Rotoscoping, Software Product Reviews, software

The new Toon Boom is a 100 dollar upgrade of your older version. The 3.0 version represented a mature product while the 4.0 is excellent. What more can you expect from Toon Boom’s 4.5? I have below quick ideas on what you’d get when you decide to purchase this version of Toon Boom.

  1. This upgrade does not make your older tablet pc unusable. There are a number of adjustments available which make this upgrade faster on older tablets.
  2. 4.5 is the version which is most compatible with tablet PC; it works very well in portrait mode on a tablet, which was previously a terrible weakness in older versions.
  3. The ability to import video files is an incredible improvement and this version allows rotoscoping, meaning you can trace live action sequence frame-by-frame. Through rotoscoping, you can create a more realistic animation in terms of how your subject will move.
  4. I find the Toon Boom line of software a bit interesting and the interface quite friendly. It has the ability to do titles and import videos are now serious advantages. With the price you pay for Toon Boom you get features that are available at pricey high-end products.
  5. The software is full featured and very nicely priced for new users. Come to think of it, Toon Boom is such a bargain! The oh-so-many features are placed in such a way as to keep the product employable.

For more information visit www.toonboom.com

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